Das Cabinet des Dr. Caligari – 1920

Want to know what a Tim Burton movie would have looked like had he made a silent movie filmed in 1920 in Germany? Give the Cabinet of Dr. Caligari a whirl. This movie defines creepy and you can see so much of its influence on Burton’s work, in particular all of the scenes from hell in Beetlejuice.

The movie centers around a mental patients telling of a story of Dr. Caligari and his sideshow freak Somnambulist (sleep walker) and the rash of murders that seem to accompany them every where they go. The movie plays on your perceptions of reality and is a visual eye candy feast for its imagery. One repeating scene that I like is the way the people in the government agency that Caligari keeps visiting sit all stooped over in their weird, incredibly uncomfortable stools.

I have a fondness for movies that provide a visual stunning experience and I frequently use them as “background visual noise” when I have a social gathering. This movie would fit the bill just fine.

Enjoy

Bill

Team America

From the makers of South Park, Trey Parker and Matt Stone comes the incredibly inappropriate and even more incredibly funny, Team America. It is hard for me to type Team America and not want to complete the chorus from the theme song with a F**k Yeah!

This movie makes fun of everything and everyone. Every time I watch it I find something else to laugh at. For any parents considering letting your children watch, “The Puppet Show”, you have been warned, this is an adult movie, in fact it should be rated X even though it is a puppet show.

This movie takes aim squarely at the Bush years of America and hits it square between the eyes. Yea were fighting terrorists at any cost dammit! It will be interesting to see what Parker and Stone come up for their parody of Obama.

Enjoy

Bill

Shallow Grave

I found it interesting that the next movie I was to review on my five e feelm list was Shallow Grave, the cinematic directorial debut of Mr. Danny Boyle, whose most recent effort, Slumdog Millionaire just ran off will all of the Oscars, including Best Director and Best Picture at the Academy Awards. Most people will label Boyle as the Trainspotting guy and rightly so, but I have enjoyed some of his lesser known works like Millions and Shallow Grave.

In Shallow Grave, three friends and roommates must decide on a course of action when a new fourth roommate turns up dead and to complicate matters, leaves a suitcase full of money behind.

The movie is dark, gruesome, hilarious and thought-provoking. A younger Ewan McGregor stars, but I think the best performance is put in by Christopher Eccelston who appears to be the sane one at the beginning of the dilemma, but comes unhinged the quickest. His scenes from the attic as he frantically drills holes in the attic floor to keep tabs on the other two roomates are priceless.

How well do you know your friends?

Enjoy

Bill

Mister Lonely – 2007

Mister Lonely – 2007 director Harmony Korine Diego

Luna plays “Michael Jackson”, an impersonator living in Paris, just scraping by and living a very solitary life by performing for spare change and the occasional gig at an old folks home. At one such gig, he meets “Marilyn Monroe” (Samantha Morton), and she tells him of a commune made up of people just like them, which is in a remote area of Scotland. Since “Michael” hasn’t got much better to do, he agrees to go live with them, since they don’t have a Michael yet.

Now, Marilyn is married to Charlie Chaplin (who apparently used to be Buster Keaton) and they have a daughter, Shirley Temple. Also living in the commune are a foul-mouthed Abe Lincoln, The Three Stooges, Queen Elizabeth, The Pope, Madonna, Sammy David Junior, James Dean, and even…Buckwheat. There’s also Little Red Riding Hood (played by Korine’s wife) but that doesn’t really seem to fit as I wasn’t aware Little Red Riding Hood was ever a real person, but in this film, that doesn’t matter much.

You would think with that sort of premise & the cast that this would be some kind of goofy comedy and these people would be presented as “freaks”. They’re not. These people have such a passion for what they’re doing that they’ve “become” these people, in their minds, and they’re among friends with the same mindset.

Of course, these people go through trials and tribulations of life just like anyone else. There’s jealousy, there’s sadness, and there’s tragedy as the commune’s sheep have to be killed off because of disease. And of course, there’s the Three Stooges, with rifles, doing what needs to be done with grim faces.

The commune decides to build a stage and a performing hall and invite the locals to “The Greatest Show On Earth” where they all perform as their alter-egos, and while the cast is certainly enthusiastic about their production, the locals aren’t, and attendance is sparse. Then tragedy strikes as one of the members takes their own life, after which Michael decides to return to his old life in Paris.

Interspersed with the commune’s story (and seemingly unrelated to anything else) are some segments of a priest (played by director Werner Herzog) who seems to have found a miracle while flying his small private plane over a remote area dropping food, and by accident, a nun. The nun miraculously survives her fall from the plane so Herzog begins to take more nuns up to “stunt dive” and they all survive. This gains him and this particular order of nuns an audience with The Pope (the real one) and the film ends on an incredibly ironic note with the outcome of their journey.

Interesting casting choices in this film too, as there are two members of the cast from “Performance” (1970) playing The Pope (James Fox) and The Queen (Anita Pallenberg, former “Rolling Stones” girlfriend).

This is not a film for everyone but it is quite a departure from Korine’s earlier films (Julien Donkey Boy & Gummo). It’s incredibly strange, beautiful, and even a bit touching, and after you’ve watched it you’ll either wonder why or you’ll marvel at its oddness.

Christmas on Mars – 2008

Christmas On Mars – 2008 – Director Wayne Coyne

I’m not really fan of the Flaming Lips, although I have heard their music for years. When I read about this, though, I had to have it, because I have rather a big passion for non-traditional Christmas films (mostly horror) and this sounded very appealing.   And I found that I liked it a lot.

It’s Christmas eve on Mars at the isolated settlement where an expedition is housed, and the personnel there are suffering from cabin fever, and starting to see things, and become unbalanced. Along comes a rather strange being (Wayne Coyne, singer & songwriter of Flaming Lips) who appears out of nowhere just as a suicidal Santa runs out of Hatch Number 1 of the building, who of course meets with a horrible death, thanks to no oxygen.   What’s left of Santa is dragged back in, along with the Martian, who speaks not a word and is stoic throughout his questioning by the redneck commanding officer.   The biggest concern with the recently deceased (and now rather ghastly) Santa is getting the suit off him without ruining it.

Apparently one crew member is in charge of putting together a Christmas event for the rest of the crew, and the Martian is eventually volunteered to wear the Santa suit.  Strangely, the Martian does not respond to the commanding officer but meekly dons the Santa suit and follows the other crew member wherever he goes.

There’s a lot of strange things going on within this little colony, and there are equipment failures and crew members with degenerating mental states to deal with, but the benevolent Martian ends up wandering around by himself, and manages to repair the malfunctioning equipment which would have otherwise resulted in the demise of the entire expedition.

This is mostly filmed in black & white but some of the “psychedelic” color sequences are pretty interesting, and could be right out of some groovy 60’s or 70’s film, despite the fact that the viewer rarely knows what they’re supposed to be seeing during these scenes.

There seem to be quite a few influences for this, and I was put in mind of “Dark Star”, “Solaris” (the Russian one), “Eraserhead”, “2001”, and “Tetsuo The Iron Man”. The acting isn’t the greatest but that doesn’t really detract from the overall viewing experience. There’s quite a bit of dark humor to this too. I was quite impressed, overall, and this even manages to have a rather magical and mysterious feel to it, and even a relatively upbeat ending.   

Apparently this film took about 7 years to complete, and the actors are mostly members of The Flaming Lips, their friends, and families. If you like cheesy science fiction & non-traditional type Christmas films then check this out, I found it to be a rather fun and interesting experience & well worth seeing. Not for the kiddies though, by any means…a few gruesome scenes & plenty of language.   Overall though, well done and well worth checking out.

Sam 

Repo! A Genetic Opera

 

REPO!   A Genetic Opera

 

OK….for those that have been waiting for something to finally eclipse “The Rocky Horror Picture Show” as the next timeless cult midnight movie, well, keep waiting, because I don’t think that this one will quite do it.

 

Now, I’ve seen “Rocky Horror Picture Show” at midnight showings, at the old Cinema 150 in Santa Clara, CA (along with Bill & some others), and people REALLY got into it, and there were even people acting out the entire film in front of the screen, too.   I really can’t see that happening with this film.   The songs are catchy and maybe it’s from continual airplay over the years, but I can still hear “Let’s Do the Time Warp Again” in my head, every once in a while, and I didn’t really find anything quite that contagious in “Repo!”.

 

The story is that of a future society, where there’s been a huge plague and many have died.   To survive a lot of people have undergone organ transplants, thanks to mega-company GeneCo, run by one Rotti Largo (Paul Sorvino).    The problem is, though, is that these organ transplants are really expensive, and if one doesn’t keep up with their payments, well, the Repo Man shows up to take your organs back.    And this seems to happen quite often, ick.

 

A young girl named Shilo has been confined to her home for many years, thanks to a blood disease she inherited from her mother, who is long deceased.   Her father is a kindly doctor, who loves her more than anything, but he also has a rather disturbing alter ego as one of these Repo Men, and he seems to love his work.

 

Now, Rotti Largo has found out that he’s dying and he must decide who will take over GeneCo when he’s gone.   Will it be son Luigi (Bill Mosely, who has extreme anger issues)?    Will it be Amber Sweet (Paris Hilton, who has some extreme substance abuse and cosmetic surgery issues)?  Or will it be  Pavi (Nivek Ogre, from Skinny Puppy, who is a creepy womanizer)?    None of them is exactly the bedrock of mental health, but that never seems to be an issue in this film.

 

Then there’s The Graverobber, a young man who sneaks around graveyards at night to remove a certain chemical from dead bodies and manufactures it into a highly addictive and illegal drug, which is mostly illegal because it takes away from GeneCo’s profits.

 

This is actually a very well done film, and the music is great, but it’s not quite as memorable as I would like.   The film is clever, the film is nasty, and it’s a great midnight movie, and a cult-classic to come, I’d say, but it’s certainly not “the next” Rocky Horror Picture Show.    A lot of fun and worth seeing.   And don’t be frightened that Paris Hilton is in this, she’s watchable & tolerable for once. 

 

Sam 

Sexy Beast – 2000

Ben Kingsley  is an actor I have utmost respect for. He can play a myriad of roles and always manages to transform himself in a brilliant performance. Unfortunately for me, even though he was acting brilliantly, my eyes kept prompting me to ask, “Why is Gandhi in this movie?” Kingsley’s performance as Gandhi defined him for me for many roles to come. It wasn’t until his role as Don Logan in 2000, that I was finally able to break the stranglehold Gandhi had on my definition of Kingsley and it was my ears this time that broke the paradigm as I was then prompted to ask, “Why is Gandhi uttering the F-word every other word?”

Beyond a swearing Gandhi, Sexy Beast has a great story and incredible style. The imagery is amazing. I swear I can feel the sun on me as the main character, Gary “Gal” Dove is laying out burning in the Spanish sun at his villa by the pool. What interrupts his baking in the sun is visually stunning in a great opening scene. Gal is a retired gangster who Logan comes to harass out of retirement.

I really like this little known jewel of a movie and find that as long as people can get by the aural assault, it is a movie that most people really enjoy.

Enjoy

Bill

Secretary – 2002

In an opening scene that pretty much guarantees you won’t be sitting down and watching this movie with the inlaws, Secretary sets the stage for a sensual cinematic joy ride. Lee Halloway, played brilliantly by Maggie Gyllenhaal, is scantily clad in sexy lingerie her hands shackled to a bar that runs behind her neck, performing a normally routine admin task of stapling a document together, but due to her rather abnormal predicament she is using her nose to operate the stapler. And thus, the journey begins or more appropriately ends as the movie then takes you back in time to catch you up on how Lee ended up in this rather unique secretarial position.

Lee is a recently discharged mental patient that finds a job working for Mr. Grey played by James Spader. It was a role that the creepy  Spader was born to play. I put this role right up there with his role as Lee Woods in Two Days in the Valley, where he..ahem..entertains another hottie, Charlize Theron. Mr. Grey and Lee struggle at first to figure out how to work together, but then Mr. Grey figures out that Ms. Halloway likes to be corrected when she makes mistakes. I mean LIKES to be corrected. From there it is a funny, sexual, creepy look at a very strange working relationship.

Enjoy

Bill

Tears of the Black Tiger (Fah talai jone)

Tears of the Black Tiger (Fah talai jone) 2000, director Wisit Sasanatieng

 

 

This is presented as a western, and it IS sort of a western, although it’s made in Thailand so you can imagine that they’ve put their own spin on it, whether it be from creativity or from just plain ignorance of what a western is supposed to be like.   

 

Now, by saying this is a western, I’ve probably put a lot of people off, because nobody much watches westerns anymore, but this is different, to say the least.    First off, it seems to take place in modern times, the cowboy outfits are rather like those that a child would wear, at least 40 or 50 years ago, and there’s also a mix of genres, including a sort of  juvenile delinquent spin that was popular in the 50’s.  Plus, it’s got incredible deep saturated colors that  are incredible to see, it’s like watching a painting instead of a movie.    And as for the western bits, well, there’s even a good old-fashioned shoot-out, that would make fans of old cowboys movies feel faint….kind of a splatter western, but in an over-the-top style kind of like “Evil Dead”….more is better.

 

This is also a romance, for our hero, Dum (yes, really) is smitten with a young lady that he’s been in love with since they were kids, and he’s sworn to win her heart, even though her father has promised her to another.

 

The sets are quite surreal, to say the least, and the scenery is incredibly beautiful, for the most part, and then we shift to some incredibly violent gun-play and you’re left gaping at the screen.   There’s even a scene where Dum and a friend of his become blood brothers in front of a statue of Buddha…and then get rip-roaring drunk.   Not your typical western, indeed.

 

There are even some bits where we “go back in time” to when our characters were younger, which play out as though they were an “old time” film, complete with jumpy film and missing soundtrack bits, and oh yes, the soundtrack…well, it’s kind of  old-time Western music, with a definite “Eastern” spin.

 

This is a wonder to behold, and it may not be for everyone, but  I loved it.   It seems incredibly bizarre to take a genre that is so very  American and transplant it to Thailand, and the results are everything you might expect…or might NOT expect.   Truly strange & worth seeing. 

 

Sam

Lola rennt – 1998

Lola rennt (Run Lola Run) is yet another movie that dicks with your mind regarding time and what version of reality is the real one. Instead of intertwining different realities, Lola rennt uses the approach of taking you completely through one scenario, then starts you over with one changed variable and then you see where that reality goes and the movie concludes with the 3rd version of reality.

Franka Potente, who made her splash in American cinema as Matt Damon’s co-star in the Bourne Identity, stars as the punked out, on the edge Lola who is running against time to try and help stop her boyfriend Mani from robbing a supermarket and ruining his life.

The movie is non stop action, fast paced and the director, Tom Tykwer keeps you right in the middle of the action. Tykwer also does some imaginative animation sequences as well. Don’t rent this movie if you are looking for a movie to sit down and relax with your sweetie. This one takes you on a wild ride!

Bill